Nevertheless, everything was done right, Kawai! It's the top - and there's still some room for improvement! Ok - there's the Ravenworks Kawai VPC1 (like AMG-Mercedes), a completely redesigned, modified VPC1, but with over € 6000.- not quite in my focus. Strange that the pedal drops off in quality so much to the keyboard. For me (shoe size 49), the pedals are also a bit small and way too smooth.
The VPC1 comes with a 3-pedal, which is very praiseworthy, but it is unfortunately a lightweight construction - therefore it also slips away - it actually moves permanently. I think with very little foam and non-slip rubber coating, it's relatively easy to make something. a synth is to be placed on the VPC1, it is advisable to tinker something, for giving the synth a stable grip. Two "little things" are usually negatively discussed: on the one hand, the really unfortunate On / Off Knob and on the other hand, the curved surface, reminiscent of the problem of the Fender Rhodes MkI - but much less extreme. Now only half as expensive as the market introduction price, the excellent Kawai VPC1 has become much more affordable. It has three sensors and uses weighted hammers. This keyboard is from the house of the piano maker Kawai. If anyone comes up with better tweaks, I'm all ears.The VPC1 is different, it also has no Fatar (On/Off) keyboard. I am still working on the Player and Side mics individually however, they seem to combine pretty well already, and the minor tweaks above seem to be good. But now, it will swing almost entirely positive. Of course, it's a piano, so the correlation will swing widely. You will find that they combine much better with the Player and Side perspectives now. The Close mics are the greatest offender, although they are my favorite of the mic choices. I use Waves InPhase to do this but any delay plugin that allows you to do negative delays will work. Room mics: flip the phase of both channels. Side Mics: Bring the right channel FORWARD by 0.08 ms (8 samples at 96k)
I've come up with a fix that helps greatly.Ĭlose mics: delay the left channel 0.4 ms (38 samples at 96k), then flip the phase of BOTH left and right sides However, there are some phase issues-especially in the Close mics-that cause issues when blending mic perspectives. I'm a big fan of the Ravenscroft 275 piano library.
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